Performing two renowned pieces, Chopin’s Piano Concerto No. 1 in E Minor and Dvorak’s Symphony From the New World, Oxford Philomusica (Oxford University’s orchestra in residence) did not disappoint a packed out Oxford Town Hall last Saturday night.

Pianist Tatiana Kolesova’s overwhelmingly impressive performance throughout Chopin’s concerto showed immense skill and variation. From the rippling perfection of the Romance movement to the relentless succession of scales in the closing moments, Kolesova enthralled the audience throughout. In the past some critics have stated that the orchestral accompaniment provides only a backdrop for what is first and foremost a piece meant for piano. Although this is a piano concerto, when performed by the Philomusica, both piano and orchestra slot together in seamless harmony as conductor Marios Papadopoulos leads his orchestra with the flawless precision and control for which he is known.

Antonin Dvorak’s New World Symphony, written on request in 1893, is said to represent the composer’s interest in the music of African-Americans and Native Americans. Whether these roots appear with much clarity within the symphony itself is a topic that has not been without debate. However, it must be said that many of the passages, particularly the immediately recognisable second movement, Largo, do create the imagery of the vast grasslands and prairies of the American Midwest. These images were certainly conjured up as the Philomusica presented each movement with the reflective emotion contained within what many consider to be Dvorak’s most popular symphony.

Oxford Philomusica have proven themselves time and time again to be a true asset not only to the University of Oxford but also to the city of Oxford. This performance did nothing to dispel this justifiable acclaim.