It's two years since I last saw the Amadeus Orchestra in action, but I can still remember how impressive these young musicians were. With director Philip Mackenzie still wielding the baton, there was no reason to suppose things would be any different this time and, happily, they fulfilled all expectations at the Sheldonian last Saturday, in a triple bill of music by Mozart and Stravinsky.

Described in the programme as "a training ground for music students and young professionals", the orchestra attracts dedicated musicians of the highest calibre, whose talent and commitment are readily apparent. If you think young equals inexperienced, think again; most of these musicians, despite being barely out of their twenties, are veterans at this game. Opening the concert with the overture to The Marriage of Figaro, the players exuded confidence, which was more than justified by their bright, buoyant handling of one of Mozart's liveliest pieces of music. His Sinfonia Concertante in E flat for oboe, clarinet, horn and bassoon introduced the Bratfanof Quartet, whose virtuosity was underpinned by solid support from the rest of the orchestra.

The second half brought a complete change of mood with Stravinsky's Rite of Spring neat timing, this, so soon after the TV drama Riot at the Rite. Indeed, Mackenzie reminded us that the premiere of the ballet had prompted a riot, and requested, amid laughter, that we should not rip up the Sheldonian seats "as they are 350 years old".

Although often performed as a concert item, it does seem to me that the music begs to be married to the action. My view was reinforced by the fact that Mackenzie felt obliged to give us a brief preview, to provide some "musical signposts". But while the spectacle may have been lacking, there was no shortage of energy and precision in this remarkable performance, which was exciting, bold and compelling, and brought the evening to a magnificent finale.