THIS is a sequel to the Moscow Stations piece, adapted from Victor

Erofeyev's novel and presented at this festival in strong monologue

versions, each representing separate theatre traditions, by Tom

Courteney and the splendid Theatre Kana of Szczecin in Poland, who here

invite us to take the train journey a little further.

The accessibility of Kana's follow-up is enhanced by Caryl Swift's

translation into English, and the theatre style is highly individual and

exciting, a carnivalesque materialisation of the phantoms of Erofeyev's

sometimes fervid imagination.

There are five characters, each springing dramatically from trunks and

chests like grotesques in a ghost train ride, and the set itself

suggests a long carriage travelling along the journey of life. The pace

is frantic, raucous and ribald, with some hilarious exchanges and

one-liners, but the overall shape of the adaptation sags somewhere

two-thirds in.

Nevertheless, the quality of Kana's acting, and the creation of a

highly individualistic theatre world through Zygmunt Duczynski's

directing, distiguish this as one of the quality Central European

productions of the final week of the festival.