It is fitting that Amanda Hislop should be welcomed to this timeless corner of Oxfordshire, where the Great Coxwell Barn is beached like a cathedral and the village of Coleshill waits with its Model Farm, its Mill and its yard in the corner of which is a shop run by volunteers of the community who welcome one with coffee and the work of local artists.

Amanda Hislop, who teaches at St Mary's School, Wantage, is inspired by the texture of life: walls and rock formation, above all textiles. She often begins with layers of tissue paper and fine muslin. In Allium Frosty morning, with its muted shades of greys converging into pale sunbursts, the layers cut back into the surface using a craft knife, held by stitches of gold and silver threads and mounted on watercolour paper. In the frosty Alium series, tactile qualities of different fabrics are explored with painterly techniques. Using drawing pens, she pinpoints details of the apricot and pale blue of Nigella/Love in the Mist. The exhibition, Style and Splendour, featuring the wardrobe of Queen Maud of Norway, was an inspiration. Amanda found old lace in a Paris market and, with her eye for detail, uses it to great effect, together with ruffles and buttons in this set of panels. Using hand and machined stitching, she slashes the fabric to reveal underlying layers in soft shades of apricot through pale leek green.

There is a story in the triple-framed Boat abstracted by time and tide. Completing her course on woven textiles, Amanda found a lonely craft partially revealed by the ebbing Norfolk tide; 20 years later, its structure much reduced, with her muted grey blues, burnt and raw umber, raw sienna this created a moving work.

The Buscot and Coleshill Estates are run by the National Trust. The exhibition contunues until May 31.