The panelled "medieval" hall and the vernal terraces offer a fine setting for the varied and gifted artists of three Oxford Sculptors Group. Christopher Townsend coats his surreal sculptures of mild steel in coloured powder coats. A protection against rust, they stand in the grey of winter, but today The Balance stands firmly on his hands in shiny black while Lily Cluster glows a deep burgundy.

Nearby, riding in tandem, Daren Greenhow's are zany, evocative sculptures created out of bicycle parts. His Velo ciraptor, with ribs of wheel rims, femurs of frames, shin bone of crank arms is a dinosaur and a bike all in one. What could be more appealing to children of all ages? And catch the silver-grey chains of Lizard slithering up the tree.

Yvonne Beecroft's In Shape, of bronze resin, represents the mathematics of form: the square hair of the woman, the triangle between head and arms, the upper torso resting on four plinths, all stress the positive aspects of her figure and the negatives created by the spaces between.

John Penrose discovered his gift for carving when he retired. Concentrating on the figurative, his life-size tawny owl of bronze resin, its claws clutching a branch, will enchant bird lovers; but, inspired by photographs, it is the movement and emotion of his Pas de Deux and Arabesque en l'Air that recalls Degas.

Satire is Eleanor Edwards forte. With her chosen media, wire and papier mache, she evokes the anguish of the sexes. Her funny, disturbing Adam's Burden goes back to the beginning of our culture, our subconscious; as Adam he must continue to struggle, unable to break free, with the fallen apple at his feet and the elegant snakelike bracelet entwining her arm. And is Far Tango the grey-haired dancer's final bid for youth?

In Briony Lawson's garden, created with her husband Andrew Lawson in Charlbury, she displays her work in stone, wood and clay. Here, at Eynsham Hall, her Figure in Oak, made from an ancient oak beam, displays the knots, the smoothness of the grain, poised and elongated while outside the near-white limestone of Bird Form and Leaf Form stands out against the green, suggesting rather than delineating nature.