If you venture through a secret door into a walled arbour you will discover three very different and talented artists in an old barn. Inspired by her collections of china, bags, belts and boxes, and her garden, Sue Rangeley's delicate botanic watercolours and crayon studies of hellebores and dahlias have led, in turn, to her bejewelled, embroidered textiles (right) like the organza skirt appliquéd with dahlias and decorated with fine beading. Her florets and her Art Deco bags with stylised leaves and flowers are stunning and technically perfect like her vase-shaped guilded bag with fabric leaves that flow from the base to a bouquet of ruched roses. See, too, her gray silk organza cape encircled with metallic organza roses - a "touch of fantasy and romance" for bridal or elegant evening wear.

A commercial photographer, Ben Gold, specialises in portraiture and fashion but here has selects images "that have caught my eye and held my attention". His landscapes leave the viewer free to find personal meanings without the distraction of words. Light permeates all his pictures like the path that winds past shell-pink and red rhododendrons framed by dappled shade towards a distant brightness. In Lapland three hours of daylight and temperatures of less than -40c suggest a quality of the light that is tactile like his frozen trees shimmering in the ice. A single suspended lamp leads the way to a distant cluster of lights. The most disturbing image is that of the chained blue-eyed Husky gazing out at us.

Upstairs Di Gold's demonstrate her work in progress' from sketch, colour study, lead line drawing to painting and firing the pieces of glass. Her luminous stained-glass memorial window tells the story of The Good Wife' from Proverbs XXXI. Based on the text "Who can find a virtuous woman? for her worth is far above rubies" her sons play with precious stones as her husband walks away confident in the knowledge that she is trustworthy and will provide for the family. Using fine handmade blown glass the deep reds and purples of the household "clothed in scarlet" is reflected in the poppies and the irises. In the circular panel A Wedding in Battersea Power Station the flowing movement of the Thames, the signs of the zodiac appropriate to the couple and the Victoria Pump House where the marriage took place are all an evocative record of the day.

This Artweeks exhibition can be seen at Linsell House, Sheep Street, Charlbury, between noon and 6pm until Sunday.If you venture through a secret door into a walled arbour you will discover three very different and talented artists in an old barn. Inspired by her collections of china, bags, belts and boxes, and her garden, Sue Rangeley's delicate botanic watercolours and crayon studies of hellebores and dahlias have led, in turn, to her bejewelled, embroidered textiles (far right) like the organza skirt appliquéd with dahlias and decorated with fine beading. Her florets and her Art Deco bags with stylised leaves and flowers are stunning and technically perfect like her vase-shaped guilded bag with fabric leaves that flow from the base to a bouquet of ruched roses. See, too, her gray silk organza cape encircled with metallic organza roses - a "touch of fantasy and romance" for bridal or elegant evening wear.

A commercial photographer, Ben Gold, specialises in portraiture and fashion but here has selects images "that have caught my eye and held my attention". His landscapes leave the viewer free to find personal meanings without the distraction of words. Light permeates all his pictures like the path that winds past shell-pink and red rhododendrons framed by dappled shade towards a distant brightness. In Lapland three hours of daylight and temperatures of less than -40c suggest a quality of the light that is tactile like his frozen trees (above) shimmering in the ice. A single suspended lamp leads the way to a distant cluster of lights. The most disturbing image is that of the chained blue-eyed Husky gazing out at us.

Upstairs Di Gold's demonstrate her work in progress' from sketch, colour study, lead line drawing to painting and firing the pieces of glass. Her luminous stained-glass memorial window tells the story of The Good Wife' from Proverbs XXXI. Based on the text "Who can find a virtuous woman? for her worth is far above rubies" her sons play with precious stones as her husband walks away confident in the knowledge that she is trustworthy and will provide for the family. Using fine handmade blown glass the deep reds and purples of the household "clothed in scarlet" is reflected in the poppies and the irises. In the circular panel A Wedding in Battersea Power Station (right) the flowing movement of the Thames, the signs of the zodiac appropriate to the couple and the Victoria Pump House where the marriage took place are all an evocative record of the day.

This Artweeks exhibition can be seen at Linsell House, Sheep Street, Charlbury, between noon and 6pm until Sunday.